Love Him Like He’s More Attractive

This morning I was flipping through channels when the new Matchbox Twenty video on VH1 caught my eye. The video had a cool look and so I suspended my channel surfing and watched. Ultimately, it wasn’t as clever as I thought it might be, but I was glad I stopped to watch it because immediately following it was Ben Lee’s “Love Me Like the World Is Ending.”

This is a really good song. As good if not better than Matchbox Twenty’s “How Far We’ve Come” which is getting massive radio airplay right now. Which made me wonder: Would Ben Lee be more successful in this country if he were more attractive? His new album Ripe is one of his best and his previous, Awake Is the New Sleep, is exceptional. Both are full of alternative pop songs that are radio-friendly and ear-friendly. It’s just that, well, Ben isn’t necessarily eye-friendly.

I’m not saying that we can’t be genuinely influenced by quality music and can look beyond looks to see the real artist -- us Ben Lee fans do that every time we see the Ripe cover photo.

But what if he looked more like Rob Thomas?

Or Rooney’s Robert Carmine?

Or Chris Carrabba?

Or Jared Leto of 30 Seconds to Mars?

Or that guy from Fallout Boy?

Or any other pretty-boy pop music icon?

Would he be getting more air time? Would he have more opportunities for promotion? Would we give him more notice? Given the superficial nature of our American culture, I wouldn’t put it past us.

CD Review: VHS or Beta's "Bring on the Comets"

Louisville's VHS or Beta releases their latest CD Bring on the Comets on Tuesday, August 28th. I had the good fortune to snag a pre-release of the disc and get an early listen.

Much like the band's first full-length Night on Fire deviated from their self-released EP Le Funk, their latest offering is considerably different from either of the previous two.

VHS or Beta teases you with the 1-minute opener "Euglama" -- giving you a taste of Le Funk and Night on Fire -- only to reveal that it's all just a tease as it fades into oblivion, the sound never to be heard on Bring on the Comets again. Don't get me wrong -- the CD has definite shades of VHS or Beta, but its deviation is dramatic enough that it may turn off current fans of the band who may be expecting more of the same.

I won't go on to comment on all the songs -- most have a difficult time standing out, not at all helped by Craig Pfunder's bland vocals -- but I will single out two that I think may hold their own.

First, the single "Can't Believe a Single Word." A snappy tune that sounds like it should be sung by The Archies -- complete with an animated Betty chinging along on her Filmation tambourine. I like this song and I hope it goes somewhere. It has an original edge to it and I'm glad that it's getting radio airplay (at least here in Columbus).

The other song is the one immediately following: "Burn It All Down." On an initial listening, it's lyrically disturbing, but musically simple, straightforward, and possibly the most similar to their previous CD. Sounding much like a progressive early-90's B-side throwback, the song catches on and becomes a standout.

Ultimately though, Bring on the Comets comes off as VHS or Beta's attempt at the mainstream and, in so doing, the band's uniqueness is lost.

If you've had the opportunity to hear the CD yourself and have another opinion, leave a comment! I'd be interested in hearing what others have to say about this new release.

Local Scene: Twin Cam

For a band that's been around for eight years, had five CD releases and been on two Warped Tours, Columbus' Twin Cam gets ignored most of the time. Oh, sure, you might vaguely remember that one of them is also in Watershed, but you wouldn't be able to say which. And the name of the song "Varsity Jacket" rings a bell until you realize you were thinking of "Black Concert T-shirt."

Which is too bad, because the lighthearted four-piece deserves better.

Opening for Willie Phoenix last night at Andyman's Treehouse, Twin Cam played initially to a crowd of about about 10 people that eventually creeped up to about 25 (the largest and most stoic audience member being the tree in the center of the room). Of course, you wouldn't have known it was a small crowd by the way they played. The energy still poured out of them and the fun they were clearly having in that tiny little room was infectious. Not that the infection was necessary -- we were all having fun already. The sound at the Treehouse sucked, as it always does, but Twin Cam's music was able to transcend the audio mire and get out a set that was too short, but high on quality.

Jump on over to their MySpace page and take a listen. Or go on over to iTunes and buy their stuff. But to truly get Twin Cam, experience them live.

CD101 SummerFest Featuring Silversun Pickups, VHS or Beta, The Cliks & Seawolf

The weather was perfect for the CD101 SummerFest yesterday at The LC. For me, the alternative music lineup was highlighted by VHS or Beta and (surprisingly) The Cliks.

I didn't expect to like The Cliks. Sure, their radio hit "Oh, yeah" is a good song, but nothing to necessarily write a blog entry about. However, I met the band earlier in the day when they did a somewhat acoustic set in the CD101 Big Room. Lead singer Lucas was not only really nice (and had plenty of good things to say about our fair city), but his voice was really amazing. It has a clarity that demands your attention and a flow that he attaches so well to the music that you can't imagine the two apart. Now a transgender, Lucas still sounds very much like the Lillia of days past, with an angry-woman edge that at the same time transcends the cliche. Although not all of their songs are great -- and I have yet to hear all of the songs from their latest CD -- their live show allowed you to overlook that, with their unending energy and keen musicianship. If you like The Cliks, be sure to catch them live -- you won't be disappointed.

But I was primarily at SummerFest to get a chance to see VHS or Beta and hear some new tunes from their upcoming CD Bring on the Comets (out August 28). I was a big fan of Night On Fire when it was released back in 2004, impressed with how they so effortlessly mixed electronica, rock, and pop into a distinctly alternative sound.

The band's sound was a bit off during their SummerFest set -- they seemed to have some minor technical difficulties -- but they overcame that and put on a good show. They're not the most lively band in the world. No wild antics or overexpended energy. But what the band lacked, the crowd made up for. Dancing during nearly the entire set, the audience was definitely into the new sound and the new songs of VHS or Beta. If this was any indication, their newest CD may well be a breakout seller.

I didn't get a chance to see Seawolf or Silversun Pickups at the show, but that's okay -- I had the opportunity to catch them in the Big Room earlier in the day.

Ben Jelen

That's pronounced "Yellin," by the way. And that's what I'll be doing when he comes to The Basement on August 19. (Doors open at 7pm;
$6.00 Advance / $8.00 Day of show.)

If you haven't heard of Ben Jelen, you're not alone. Though his music is seemingly everywhere -- Smallville, One Tree Hill, and the compilation Instant Karma: The Amnesty International Campaign to Save Darfur to name only a few -- his music's gone largely unnoticed. Which is a shame because his newest CD Ex-sensitive is brilliant.

Born a Scotsman, but raised in the states, this piano-, violin-, and guitar-playing singer/songwriter is a breath of fresh air amidst the staleness of today's emo shoegazing. With a pop senstivity, Jelen mixes insightful lyrics with enough musical pizazz to create a sound that's unique and songs that make you want to listen again and again.

Ex-sensitive, shows it's power mostly in the opening track "Pulse" and the lighter second track "Where Do We Go." Though there are other stand-outs on the 13-track album, these two songs really show his diversity both musically and lyrically. They're each powerhouses but in very different ways.

The album is available on iTunes, so jump over and take a listen. I don't think you'll be disappointed.

Watershed: You better not miss Friday's show...

Rumor has it that it'll be Watershed's -- Columbus' hometown boys of alt rock's -- last one for a very long time. Officially, it's a release party for their new live CD "Three Chords and a Cloud of Dust II. Unofficially, could it be hiatus time? The LC Pavilion (outdoor)
Friday, August 10
Gates open @ 7pm
Openers: Earwig, Two Cow Garage

The Its!

Could The Its! be next big thing? I saw them open for Hot Hot Heat this past weekend and they were really good. I had a twenty burning a proverbial hole in my pocket and the band made an offer I couldn't refuse: Their new full-length CD, an EP, and a damn cool t-shirt -- all for a paltry 18 bucks.

The next day, I actually sat down and listened to the CDs. Excellent stuff. Good lyrics, cool sound, and that lead singer guy has a great voice. It all comes together.

This is why I never miss the opening band.

Keep an eye out for these guys. I have a feeling they might be going somewhere.

The Its! on myspace

Ben Lee: All-new Ripe EP on iTunes

Ben released three tracks from his much-anticipated upcoming CD (to be released on September 18th) to iTunes! All three tracks are excellent. It includes the new single "Love Me Like the World Is Ending" -- a great song destined to get absolutely no air-play here in the states. Like most of his songs.

I think I'm bitter.

Go now and download these songs -- iTunes (in its infinite electronic wisdom) will credit you for the three songs when you download the album come 9/18. Because I know you'll be downloading it.

For more Ben Lee info, go to http://www.ben-lee.com

Hot Hot Heat

Okay, as a first posting on Life on the C-bus, I should do something of great significance. Something that I can only hope will change the direction of the world or at least my community. Something that will make people rethink their lives. Something that will inevitably alter the course of the future.

Nah.

Instead, I'm going to talk about the Hot Hot Heat show last night at The Basement.

I got to see them in the CD101 Big Room earlier in the day. The band has done the Big Room before, so they knew the drill and got set up pretty quickly. They were really nice (not just friendly, but genuinely nice). They did a good set of three songs with Columbus radio icon Andyman doing the between-songs interviewing. The band signed some stuff for fans and then were off to continue to recover from the night before where they reportedly drank Snow Patrol under the table.

Okay, first off, I'm not a crazy-huge fan of this band. They're great and I like a lot of their stuff, but I wouldn't be able to sing a single song of theirs all they way through without doing a rendition of Wayne and Garth's Adams Family theme somewhere within the first verse. With that disclaimer, it was a really good show. This was their last stop before heading back to Vancouver, so maybe that made them in a good mood or maybe they're just this good all the time. The sound was great, the energy was amazing and they won a mediocre fan over to being a mediocre fan that will probably go over to iTunes, listen to a bunch of 30-second clips of their songs, and decide that I ought to download some of their stuff someday.

The Basement is a tiny little venue. You have two halves -- the front half where the stage is, and the back half where the bar is. If you're in the back half, you can't see a damn thing, but at least you can drown your sorrows in a few beers at the bar. If you're in the front half, you can see great, but your damned to hours of beveragelessness unless you're willing to lose your spot. We were fortunate to grab a couple drinks and find a miraculously unoccupied area on the side of the stage to the right. Well, okay it was a bit more complicated than that, but I've gone on long enough.

And lead singer Steve Bays has a lizard tongue. Seriously. Stuff of comic book villians.